One GRUW group application registers up to 10 unpublished songs by the same writer(s) — versus $45 each filed one at a time. Register before release and the 3-month clock never becomes your problem.
You already own it. Registration makes it enforceable.
Copyright exists automatically the moment your song is written down or recorded. What registration buys is the power to actually do something when it's taken — and a deadline most musicians have never heard of decides how much.
Register before someone infringes — or within 3 months of release — and the law hands you statutory damages and attorney's fees.
Without timely registration you can only sue for the money you can prove you lost — usually small, always expensive to prove, and you can't file the lawsuit at all until you register. With it, statutory damages run from $750 to $30,000 per work (up to $150,000 if willful), plus your legal fees. That difference is what makes a lawyer answer your email.
The 3-month window after first publication is the one deadline that matters: file inside it and you're covered even against infringement that started the day of release. Miss it, and anything that begins before you eventually register is actual-damages-only, forever. The wizard computes this date for every released song in your catalog.
One $65 album filing for the songs (PA) plus one for the recordings (SR) — the Copyright Office requires them separately. Compare: registering 10 tracks individually would run $900+.
Wrote it, recorded it, own both? One Single-Application SR filing can claim the recording AND the underlying song together. The wizard pre-fills the authorship statement that makes that work.
A fee increase has been proposed in Washington (averaging ~43%) and could take effect; the wizard shows the date these numbers were last verified and where to double-check them.
- 01Sorts your catalog
Released vs unreleased, solo vs co-written, masters owned or not — the four questions that legally determine which application each song belongs in.
- 02Picks the cheapest correct filings
Group applications wherever the rules allow, single applications where they don’t, with the reasoning spelled out per group.
- 03Pre-formats every eCO field
Copy-paste-ready values for each screen of the government form — application type, titles, publication, authorship claim, claimant, deposit rules.
- 04Tracks deadlines and case numbers
Per-release statutory-damages countdowns, plus a tracking table for case and registration numbers as filings come back.
Registration happens at eco.copyright.gov — a government system. We haven't verified that automated submission is permitted there, so we don't do it: the wizard preps every field and you paste and click submit in your own free eCO account. Same principle as the rest of this site — your accounts, your submissions, your registrations.
Common traps the wizard checks for: filing a co-written song under the one-author application (refused), mixing songs and recordings in one album group (refused), merging works into one deposit file (refused), and calling a streaming release "unpublished" (it isn't).
Educational information, not legal advice. Registration decisions are yours; for anything contested or high-stakes, talk to a music attorney.